Thursday, December 15, 2011

Goodnight Irene, Good Night Visual Studies 12.15.11

Down By the Sally Gardens” is by far the song I am going to miss the most next semester. I can hear the sweet melody of the classroom with a trio of guitarists and an accordionist….why cant the song be longer?! It is so sweet and wonderful; I wish we could just keep singing it over, and over and over… its on pg. 5 of our song sheets…circle it!!!

“It was down by the Sally Gardens my love and I did meet,

She passed the Sally Gardens with little snow white feet

She bid my take love easy, as the leaves grow on the tree

But I, being young and foolish, with her did not agree


In a field by the river my love and I did stand

And on my leaning shoulder she laid her snow white hand

She bid my take life easy, as the grass grows on the weirs

But I was young and foolish, and now I am full of tears”

Snow white hands. Little snow white feet. Grass grows on the weirs. The lyrics are so fantastic, like the rest of the song. Why can’t music always sound like this?

“I like spontaneity; I live by it”- Tony. The incredibly unique and diverse Visual studies class of American folk songs concentrated on learning music through memory. How do we make music part of ourselves? If I were to narrate my experience for this class, I would have a very long list of talented musician folk who most people probably would not have a clue what I am talking about. I started off knowing very little, almost zip, about folk music. The closest song I knew was “O death,” from the “O Brother Where Art Thou” movie. But that’s the point of the class: learning folk music through practice, as Tony would say, “These songs save your life.”Now I am equipped with countless rapid share files of Gospel, delta blues, Chicago blues, Ballads, Woody Guthrie, Songsters, Cowhands and Sailor music, which I often made a top 5 playlist for myself...but ended up with way more than 5 songs. It was routine to pick a song each week that inspired us and create an artistic project about it that we decorated the walls with.

Coming into this class, I couldn’t recognize a Mississippi John Hurt song if it was played right before me. Why haven’t I heard of the king of blues music? John Hurt lived and farmed in Avalon Mississippi for 30 years without a recording due to the Great Depression: there was no money for records to be made. What happens when a political figure sings blues music? Jimmy Davis was singing for his position in office, but there is so much more energy coming from Hurts’ southern roots. I could picture him singing on the front porch of his home in Mississippi, whereas I could see Jimmy Davis with a microphone in his hand, onstage and singing for a crowd of followers. “Since I’ve Laid My Burden Down,” is a classic Mississippi blues type of music by John Hurt that involved a fast, self taught finger picking style. The bluegrass music was really a treat.

Muddy Waters was inspired by Delta blues of Mississippi. Delta style is so expressive and unique because it links to the voice of the musician and the expressive playing on the guitar (Skip James and Robert Johnson). More topics included “Freight Train” written by the famous Mrs. Elizabeth Cotton when she was 11.

The murder ballads week of “Barbara Allen” was a lot of fun. Starting off with a competition between Bill Monroe and Doc Watson playoff…who could outplay the drums? Folk Bloodbath” by Josh Ritter was really special, because it was a combination of several classics, such as Stackalee, Duncan and Brady, and Barbara Allen.

Lead Belly was a whole ‘nother animal. Lead Belly got out of the first prison he was held at because the governor appreciated his religious songs. What does it mean when records are recorded in prison? When Leadbelly sang with Martha, it was like heaven. While playing on his antique, weathered guitar, Leadbelly had the qualities of Mississippi John Hurt, where I could feel the genuine nature of his voice and his passion for singing. Possibly because of his passion for Martha? At that point, he did not seem like the hard edged, stern faced person he earlier was portrayed as. While his face is naturally bold and stern, that seemed to fade.

Red River Blues,” by Henry Thomas…Well I had to mention it because of the awesome combination of the ol’ time singing, and the pan pipes that completely captivated me.

The spiritual music, did you know it came from the slavery, as the people worked better singing in the fields about the toils of life? Their sweet melody, messages about Moses and the great escape through the night had so much spirit. Leroy Jones writes about spiritual music in a beautiful way: “This is the history. This is your history, my history, the history of the Negro people…the music. The music, this is our history. The music was explaining the history as the history was explaining the music.” The stories were passed on from the elders to the young, as the “expression issued from life was beauty.”

Sam Cook’s song about the resurrection of the chain gang in Alabama in 1995 was intense. And how could I forget about Mahalia Jackson (“Amazing Grace,” “He’s Got the Whole World in His Hands”) who was entwined with the civil rights movement as she sang for Martin Luther King. In addition, how could I not mention Thomas Dorsey and Sally Martin. Thomas Dorsey’s songs come out of experience with him when his spirit was broken (Precious Lord ).

Janice Joplin’s “Careless Love” seemed more edgy, as if her experience with careless love was more regrettable, and truly “broke that heart of hers.” Skip James singing “Worried Blues,” really dug his fingers into his guitar, feeling the beat and rhythm through his feet and body and his song “Crow Jane.” Charlie Rich was the “Silver Fox,” who grew up on a big cotton farm in Arkansas, where he learned how to play the piano… “Feel like going home” was definitely a classic.

During cowhand week, I loved Hank Williams version of “Lonesome Whistle Blow.” (“The Wa, wa, wa, whistle blow”)…..The Wyoming cowboy himself, Skip Gordon, sang the gritty songs, and how they were played along the emigrant trail for years in the American West. They are some of the best loved American songs about the ranch life.

“O if you aint got the do re mi folks,

If you don’t got that do re mi

Why you better go back to beautiful Texas,

Oklahoma, Kansas, Georgia, Tennessee

“Don’t swap your old cow for a car, you’d better stay right where you are”…

The lyrics are so playful. I love it.


Finally, I think this class is all about important quotes and song lyrics that are really powerful.


“Roses love sunshine, violets love dew

Angels in heaven, know I love you”

-Down in the Valley


“Mary wore three links of chain,

Every link was freedoms name”

-O Mary Don’t you Weep

Some of my favorite quotes from this semester, I wrote about in my blog, but I have to mention again:

Paul Robinson: “We should not be moved, we should not be moved. Just like a tree that grows by the waterside, we should not be moved.”

“For water clarifies the spirit even more that a perfect friend.”

In all my classes at Cal, Visual Studies was quite a nice change up from the stressful and dreary Wurster Hall. I really looked forward to a class I could just go to and sing great songs, and make artwork about….

To end this essay without Good Night Irene would be just plain crazy:

“Irene Goodnight, Irene Goodnight

Goodnight Irene, Good night Irene, Ill see you in my dreams”

Now, quite ramlin’ ….These songs will save you...

....if you let them.

~Miss Pineapples

Melissa

Thursday, December 1, 2011

Cowboy Songs (12.1.11) Week 14

HOON’DAWGY! Its time for a little cowboy/sailor themed music. As I sit here writing this blog and listening to the song cowboy/sailor list of classics, quite a few songs strike my interest:

Hank Williams Lost Highway.

Greenland Whale Fisheries.

The Wild Goose

*******Hank Williams: Lonesome Whistle Blow: Anthony sang this!!1

Jilson Setters: The Wild Wagoners: the violin playing is amazing. Amarillo Walt by Skip Gorman also has a great melody.

Skip Gorman “Little Joe The Wrangler Sister Nell”: what does the title even mean? Hahaha. Skip Gordons name of his CD is called “a cowboys wild song to his herd.”

***Lou Killen: “The Black Ball Line”

**Ian Cambell: “Lowlands Low Low”

**Frank Warner: “Jolly Rolling Tar”

BUFFALO GALS!!!! YEEEHHHHHAAAAAA!!!! LOVE IT!!!!!

***Hank Williams “Log Train”

The songs of Skip Gorman are traditional, gritty cowboy songs that I imagine myself singing around a campfire. Gorman was a cowboy himself on a ranch in Wyoming, as a singer, guitarist, and a fiddler. It is said that he sings about the cowboys Celtic, Spanish, and Afro-American roots and how the music was played along the emigrant trails/ cowcamps over a hundred years in the American West.

I will get to Hank Williams in a moment.

But first, while I was listening to songs, one of my friends who studied in England told me about an artist that reminding her of folk song music I was listening to: Kate Rusby and her song “Sir Eglamore.”

http://www.youtube.com/watch?v=JgidfxhVAFU

Sunday, November 27, 2011

Chicago Blues Songs (11.17.11) Week 13

“We didn’t do anything I planned, but I didn’t plan anything.” –Tony

Favorite song of the week: Too Wet to Plow by Johnny Shines

Chicago blues. Johnny Shines sang “Sweet Home Chicago” and “Too Wet to Plow”. He plays the song effortlessly, as I watched his hands gloss over the guitar strings. I really liked the song “Ramblin’ Blues” that he sang in the studio:
http://www.youtube.com/watch?v=N-EM--yqr58&feature=related
I also listened to Robert Johnsons’ version of “Sweet Home Chicago,” which I liked equally as much, maybe even a little more, than Johnny Shines version. His voice seems so real, like he is singing about Chicago and his home town from experience.

The song mentions California several times. What makes California so great, over let’s say, Chicago? California is its own country: it has rivers and lakes, the ocean, desert and forests, wild animals and open spaces, and people from all over the world as its population. I cant even think of another state that is so diverse. There is a certain air about people from California…possibly more laid back? Friendly? Who knows. I have never been to Chicago so I can’t make any assumption about the major differences. However, I’ve lived in Colorado, which is not similar to California, in the sense that people thrive on the outdoors and its activities, going to national parks for camping, yet skiing in the freezing cold winters.

Who is Charlie Rich? Nicknamed the Silver Fox, he grew up on a big cotton farm in Arkansas, where he learned how to play the piano from CJ. His voice is very catchy… “Feel like going home” was definitely a great. “Behind Closed Doors” was not my favorite song of his, but he revived me with “Most Beautiful Girl in the World.”
He kind of sounds like Elvis.

“Most Beautiful Girl in the World”

Hey, did you happen to see
the most beautiful girl in the world ?
And if you did, was she crying, crying ?
Hey, if you happen to see the most
beautiful girl that walked out on me
Tell her, "I'm sorry"
Tell her, "I need my baby"
Oh, won't you tell her that I love her

I woke up this morning, realized
what I had done
I stood alone in the cold gray dawn
I knew I'd lost my mornin' sun
I lost my head and I said some things
Now comes the heartaches that the
morning brings
I know I'm wrong and I couldn't see
I let my world slip away from me

So Hey, did you happen to see
the most beautiful girl in the world ?
And if you did, was she crying, crying ?
Hey, if you happen to see the most
beautiful girl that walked out on me
Tell her, "I'm sorry"
Tell her, "I need my baby"
Oh, won't you tell her that I love her

If you happen to see the most
beautiful girl that walked out on me
Tell her, "I'm sorry"
Tell her, "I need my baby"
Oh, won't you tell her that I love her

Friday, November 11, 2011

Delta Blues Songs (11.10.11) Week 12

“Corrina, Corinnnaa, where’d you stay last night?

Corina, Corina, where’d you stay last night? Your shoes aint buttoned, girl, don’t you fit right?....

Delta blues? Chicago blues? Blues music? This week we focused on the Delta blues, featuring Skip James and Robert Johnson. Delta style is so expressive and unique because it links to the voice of the musician and the expressive playing on the guitar. We talked about the differences between front porch (country style) vs. performance (studio) blues music…..could songs be a combination of both?

O the versions of “Careless Love”:

Max Hutchinson, Max Hunter, Blind Man Fuller, Odetta, Janice Joplin

Which one did I like most? I liked Janice Joplin’s version.

Odetta was really interesting; the way she sang “careless Love” seemed so personal. The young Janice Joplin’s version seemed more edgy, as if her experience with careless love was more regrettable, and truly “broke that heart of hers.”

Bob Dylan is just a genius. His songs are like poetry at its best and come up with great lines: “going where the closet suits my clothes.” I think it is appropriate to say that listening to Bob Dylan and his smooth guitar playing needs a Kant Emmanuel quote: “You can’t tell someone it’s beautiful. Hold it up and say ‘yes.”

We looked at a number of art work from Crumb, Guston, Rembrandt, and George Bellows. I personally liked the expressive sketch that Rembrandt made of the man bent over his desk: it looked like the drawing had a lot of energy surrounding it.

Who is this Legba figure that we looked at? If it is the source of blues music and lyrics, then why have I never seen it before? Is it a god or creation from the people?

Skip James singing “Worried Blues,” was surrounded by a group of people (his friends? Workers from the studio he was recording in?) and really dug his fingers into his guitar, feeling the beat and rhythm through his feet and body.

http://www.youtube.com/watch?v=KhrqBOSazzA

I watched Skip James sing “Crow Jane.” The lyrics were pretty dark, but the video is interesting to watch Skip James’ movement and gestures with the guitar:

http://www.youtube.com/watch?v=ytVww5r4Nk0

CROW JANE

1967: “Crow Jane, Crow Jane, don’t hold your head too high,

Someday baby, you know you got to die,

you got to lay down and you got to die, you got to

You know I want to buy me a pistol,

Want me 40 rounds of ball,

Shoot crow Jane just to see her fall,

She got to fall, she got to

And I went to dig her a grave, with a silver spade,

I aint going to let nobody take her place,

No you can’t take her….”

I also listened to his “Devil Got my Woman.”

I'd rather be the devil, to be that woman man
I'd rather be the devil, to be that woman man
Aw, nothin' but the devil, changed my baby's mind
Was nothin' but the devil, changed my baby's mind
I laid down last night, laid down last night
I laid down last night, tried to take my rest
My mind got to ramblin', like a wild geese
From the west, from the west
The woman I love, woman that I loved
Woman I loved, took her from my best friend
But he got lucky, stoled her back again
But he got lucky, stoled her back again”

Furry Lewis plays the guitar very differently is his video singing “When I lay my Burden down”. Its like he is possessed by the song and his guitar….he is acting out the lyrics of the song, as his soul is on “fire”:

http://www.youtube.com/watch?v=CCqbKdnHZTs

I LOVED “Drop Down Mama-Sleepy” by John Estes.

Thursday, November 10, 2011

Spiritual Songs Continued (11.3.11) Week 11


“Swing low, sweet chariot

Comin’ for to carry my home…”

Gospel music week! Paul Robinson said a quite beautiful statement that really meant a lot to me….I don’t know why, and cant really explain how…but he said, “we should not be moved, we should not be moved. Just like a tree that grows in the water side, we should not be moved.”

I really liked The Dixie Hummingbirds: their upbeat gospel music was fun to listen to.

http://www.youtube.com/watch?v=6mD2IxvKhSs

Anna talked about the history of gospel music. Spirituals came from slavery, as the slaves were not allowed to have drums but studied hymns and stories from the Old Testament. The story of the bible from the New Testament was too progressive. Singing helped African people get through the toils of daily life, and were often drawn to the story of Moses: fleeing from his people, messages of escape, etc. We talked about Mahalia Jackson, (“Amazing Grace,” “He’s Got the Whole World in His Hands”), where her music intertwined with the civil rights movement, and she actually sang with Martin Luther King Jr. We learned about Thomas Dorsey, about how his wife died giving birth. Yet Thomas sang a beautiful song, "If you see my Saviour," with his assistant Sally Martin.

http://www.youtube.com/watch?v=Izy4XF88k48&feature=related

Thomas Dorsey was so influential for gospel music. I watched the documentary film, "Say Amen Somebody": Dorsey said: “You wanted to be good, or be nothing. Many people have been helped and saved by the spirit of gospel. Those that can make music count will amuse god in heaven.” He started at pilgrim Baptist church in Chicago and formed the first gospel choir. The film was so sad, because he describes how his wife and child died, as something “I could not accept at all. I started singing “Precious Lord” right then and there.” According to a woman in the film, she said Thomas Dorsey’s songs “come out of experience with him. He wrote “Precious Lord” when his spirit was broken.”

http://www.youtube.com/watch?v=nEosw5GUCzQ

Who was Sam Cook? He sang “A change is going to come” and “Chain gang,” but he strategically died at an early age.

A CHANGE IS GONNA COME

“I was born by the river in a little tent
Oh and just like the river I've been running ever since
It's been a long, a long time coming
But I know a change gonna come, oh yes it will

It's been too hard living but I'm afraid to die
Cause I don't know what's up there beyond the sky
It's been a long, a long time coming
But I know a change gonna come, oh yes it will

I go to the movie and I go downtown somebody keep telling me don't hang around
It's been a long, a long time coming
But I know a change gonna come, oh yes it will

Then I go to my brother
And I say brother help me please
But he winds up knockin' me
Back down on my knees

Ohhhhhhhhh.....

There been times that I thought I couldn't last for long
But now I think I'm able to carry on
It's been a long, a long time coming
But I know a change gonna come, oh yes it will”

CHAIN GANG


(hooh! aah!) (hooh! aah!)
(hooh! aah!) (hooh! aah!)


(Well, don't you know)
That's the sound of the men working on the chain ga-a-ang
That's the sound of the men working on the chain gang

All day long they're singin'
(hooh! aah!) (hooh! aah!)
(hooh! aah!) (hooh! aah!)

(Well, don't you know)
That's the sound of the men working on the chain ga-a-ang
That's the sound of the men working on the chain gang

All day long they work so hard
Till the sun is goin' down
Working on the highways and byways
And wearing, wearing a frown
You hear them moanin' their lives away
Then you hear somebody sa-ay

That's the sound of the men working on the chain ga-a-ang
That's the sound of the men working on the chain gang

Can't ya hear them singin'
Mm, I'm goin' home one of these days
I'm goin' home see my woman
Whom I love so dear
But meanwhile I got to work right he-ere

(Well, don't you know)
That's the sound of the men working on the chain ga-a-ang
That's the sound of the men working on the chain gang

All day long they're singin', mm
My, my, my, my, my, my, my, my, my work is so hard
Give me water, I'm thirsty…”


He made this song seem so lively and happy, yet it was such a stressful type of work: men “moaning,” “frowning,” …..

O…and interesting fact….in 1995 Alabama because the first state to resurrect the chain gang? Unbelievable.

Saturday, November 5, 2011

Spiritual Songs (10.27.11) Week 10

Spiritual songs reflect the songs of the people who sang them. This weeks focus on Gospel music and spiritualism registers some unfamiliar territory for me, and involves a story of tragedy and triumph of African people. In Leroy Jones novel, he writes really beautifully and sets the stage early on: “This is the history. This is your history, my history, the history of the Negro people.” “The music. The music, this is our history.” (pg 117-146)

“Music was an orchestrated, vocalized hummed, chanted, blown, beaten, scatted, and a corollary confirmation of the history… The music was explaining the history as the history was explaining the music.” The music were a reflection and expression of the people, who were taken from Africa and transformed into a Western people. Leroy states, “Black people did not fall out of the sky but continue to be the most American of Americans.” He goes on to talk about Africanism, and how it isn’t limited to black people, but of African, European, and native cultures, histories, and peoples: people who are incorrectly viewed as the undeveloped peoples. To be at Berkeley, which is a melting pot of every different ethnicity and race, it is hard for me to understand how slavery could even take place. We are all people, all African in a sense. Leroy goes on to explain how strange and unnatural the initial contacts with the western slavery were for Africans, in order to show how the black man was set apart from the New world initially.

What makes African music distinctive?

While the words are difficult to understand, the most apparent survival of the African music are the rhythms and melodic harmonies. The use of drums for communication in Africa allowed them to develop a fine and complex rhythmic sense. Just by simply altering the pitch of the song, gave the song new meaning and melody. The singing technique is also unique and distinctive, with the combination of improvised verses, and the use of folk tales in the lyrics, riddles, and proverbs. The lyrics of the African songs were usually as important or more important than the music, and is the closest imitation of the human voice according to Leroy James. It differed from western music because it was purely functional: songs were used by workers to make their tasks easier, songs were used by old men to prepare the adolescent boys for manhood, songs were used by young men to influence young women.” The stories were passed on from the elders to the young, as the “expression issued from life was beauty.

“ Go on! Go on! Eat enormously! I aint one bit

ashamed-eat outrageously!”

Go On! Go on! Eat prodigiously!

I drink good wine!-Eat ferociously!

Leroy ends with discussing the history of slavery, the conversion of the slaves to Christianity, the slave being seen as the other, and the the beginning of Africa as a foreign place.

Other songs to note and will go into more depth after class:

Blind Willie Johnson: John Revelator

Josephy Spence: coming in on a wing and a prayer

Thomas Dorsey “If you see my savior” “my desire”

Paul Robeson: at a time when social history in the mid 20th century was hectic, left wind political activist for civil rights and justice.

Swing Low Sweet Chariot together with Let Us Break

Bread Together and Balm in Gilead